Watch horror Movies for free with Amazon Prime

The Hunger

1983
8
Director: 
Tony Scott

SYNOPSIS: 

Miriam Blaylock (Catherine Deneuve) is an immortal vampire who feeds on human blood to stay young and beautiful. At her side is her lover John (David Bowie), a man who has enjoyed the same immortality for centuries, until he suddenly begins to age rapidly. Desperate, he turns to Dr. Sarah Roberts (Susan Sarandon), a researcher specializing in premature aging. When Sarah encounters the mysterious Miriam, she is drawn into a dark world of desire, seduction and death.

REVIEW: 

Based on the novel of the same name by Whitley Strieber, the film is a sensual and decadent reinterpretation of the vampire myth, characterized by a refined aesthetic and a disturbing atmosphere.

The film is a hypnotic visual experience, with an aesthetic style that mixes gothic with 80s glamour. The use of soft lighting, luxurious settings and an evocative soundtrack (including Bela Lugosi’s Dead by Bauhaus) help to create a sense of alienation and mystery. Tony Scott, in his directorial debut, favours the visual and atmospheric side over traditional storytelling, transforming the film into a sensorial work that focuses on beauty and decay.

The Hunger explores themes of immortal love, loneliness and the fear of death. The figure of the vampire Miriam embodies the eternal predator, who condemns her lovers to a cruel fate: an eternal existence without youth. The film also plays with sexuality, particularly through the relationship between Miriam and Sarah, in one of the most iconic and controversial love scenes in cinema of the time.

Catherine Deneuve is icy and fascinating as the aristocratic vampire, while David Bowie offers a poignant performance, capturing the desperation of a man who sees his immortality slipping away. Susan Sarandon, on the other hand, gives a vulnerability and a growing strength to her character, making her transformation believable.

The Hunger is a film that divides the audience: some find it fascinating and stylistically innovative, while others consider it too slow and more interested in aesthetics than in the story. However, it remains a cult of horror and gothic cinema, thanks to its sophisticated atmosphere and its bold representation of sexuality and death. If you love vampires told with elegance and melancholy, this film is definitely worth a watch.

Post by Miluna V on 14/03/2025 - 21:38
Tags: 
glamour hunger love Most Iconic transformation cult vampires Bela Lugosi blood John Mysterious

OTHER MOVIES REVIEWS

Schock

1977

The latest cinematic chapter of the Italian master Mario Bava, Shock, presents itself as a farewell to his directorial career, emerging from a decade marked by a rebirth of Italian cinema imbued with anger, ambiguity and a fascination for the macabre. The film, a cross between giallo, thriller and horror, is a testimony to that essential contribution of Bava, which had already inspired entire generations of directors. In this work, however, one senses the loss of that personal imprint: the meticulousness in the photography, a distinctive sign that had made the director... Read More

Cube

1997

I couldn't wait to talk about this extraordinary Canadian film, which I consider without hesitation one of the best horror films of all time, so much so that it is in my personal top 5 of the genre. The director, Vincenzo Natali, is often unfairly underrated, but with Cube he has demonstrated a visionary talent that deserves full recognition. This is his first feature film, the film that made him a household name, and despite an extremely low budget (around $350,000), it manages to give the impression of a much more ambitious and refined work than one might expect. Its... Read More

only lovers left alive

2013

If you are fascinated by the world of vampires, this extraordinary dark film is an essential viewing. The film tells the immortal love story between Adam and Eve, masterfully played by Tom Hiddleston and Tilda Swinton. Their afterlife is immersed in a decadent and melancholic atmosphere, where the beauty of art and knowledge clashes with the decadence of contemporary society. With a refined gothic aesthetic and a touch of biting irony, the film is configured as a poetic reflection on the crisis of modern humanity, incapable of preserving the wonders that it has been... Read More

Strait-Jacket

1964

The film we are talking about is based on a story by the writer Robert Bloch, author of the famous horror masterpiece Psycho, a name that immediately evokes shivers and uneasiness. This film, however, is not supported by a particularly complex plot or by special effects that lift the skin, but rather by the extraordinary talent of the leading actress, Joan Crawford. In one of her last performances, Crawford stands as a central and dominant figure, a colossus of emotions that manages to convey to the viewer every single thrill, every anguish, every delirium that pervades... Read More

The Hand

1981

A young Oliver Stone directs his second film, once again in the horror genre, in which the protagonist is an artist who faces a progressive psychotic deterioration, which will lead him to increasingly confront his dark side. Some moments are visually powerful, such as the use of black and white in the dream sequences; the violent scenes are well shot and satisfy fans of the genre. The whole thing is guided by the mastery of Michael Caine, who in this role can fully express his "histrionics", still managing to make it effective. The plot, although rather simple and at... Read More