 | The Lost Boys 1987 "The Lost Boys" (1987) appears to have been conceived as a work of transgression, an explosion of youthful energy and rebellion against social conventions. However, beneath its surface of action, horror, and humor, the film hides a series of themes and symbols that make it much more interesting and complex than it initially seems.
First and foremost, the film is a work of social criticism, focusing on the disintegration of the nuclear family and the search for identity among young people.
In this context, the vampires represent a metaphor for corruption and decay, but also for freedom and rebellion. They are creatures that... Read More |
 | What We Do in the Shadows 2014 Welcome to the world of vampires... but not the ones you think! "What We Do in the Shadows" is a 2014 mockumentary film directed by Taika Waititi and Jemaine Clement, that will make you laugh and fall in love with the most awkward and hilarious vampires in cinema history!
The story follows the lives of four vampires who share an apartment in Wellington, New Zealand. There's Viago (Taika Waititi), the oldest and most responsible vampire; Deacon (Jonathan Brugh), the rebellious and rock-loving vampire; Vladislav (Jemaine Clement), the darkest and most menacing vampire; and Petyr (Ben Fransham), the strangest and most unsettling... Read More |
 | The Hunger 1983 Based on the novel of the same name by Whitley Strieber, the film is a sensual and decadent reinterpretation of the vampire myth, characterized by a refined aesthetic and a disturbing atmosphere.
The film is a hypnotic visual experience, with an aesthetic style that mixes gothic with 80s glamour. The use of soft lighting, luxurious settings and an evocative soundtrack (including Bela Lugosi’s Dead by Bauhaus) help to create a sense of alienation and mystery. Tony Scott, in his directorial debut, favours the visual and atmospheric side over traditional storytelling, transforming the film into a sensorial work that focuses on... Read More |
 | The Last Man on Earth 1964 The film, based on the famous novel by Richard Matheson I Am Legend, manages to recreate the atmosphere of the book well, despite the limited budget. The Italian director Ubaldo Ragona does a better job than the more famous Boris Sagal, who made The Omega Man a few years later. This is probably due to the fact that Vincent Price, very comfortable in an Italian co-production, surpasses the talented Charlton Heston. With his usual theatricality, Price offers a performance reminiscent of silent films, particularly effective in the part where he is alone, for half the film. The first part is very suggestive, thanks to the beautiful... Read More |
 | The well 2024 The twilight settings and the acting performances even of the minor roles are very appreciable, some scenes in the finale give a touch perhaps unintentionally funny that I personally appreciate a lot in horror films. A simple but well-crafted story, with realistic dialogues, the long gore scenes in the film could disturb those like me who do not appreciate them but prefer dark atmospheres and mystery, which are not lacking anyway. A low-budget production that does not disappoint but rather transports us to the past of an Italian genre cinema that is now almost defunct. |
 | Vampires 1998 Jack Crow is much more than a vampire hunter. He is a war machine that considers vampires as the embodiment of Evil and teammates as soldiers to be strictly trained so that they never fail. The Vatican monitors him from afar, assists him through specially trained priests, and supports him economically. This unlikely but functional partnership between this sort of crepuscular cow boy and one of the most important religious institutions in the world undergoes a stop when the ancient and powerful Valek breaks into the room where a vampire hunting party is celebrating, making a killing.
Jack Crow's collaborators all die, except his... Read More |
