 | The Omen 1976 The film builds to a crescendo of anxiety and fear without the need for excessive jump scares, thanks to a refined direction and a soundtrack (composed by Jerry Goldsmith) that has become iconic. Gregory Peck and Lee Remick offer convincing performances that give credibility to the story. Little Damien (Harvey Stephens) is perfectly disturbing.
Some sequences, such as the death of the priest and that of the nanny, are still among the scariest in the history of cinema.
The Omen is a psychological horror that plays on religious fears and the inevitability of fate. With a well-constructed narrative and a terrifying atmosphere,... Read More |
 | The Abominable Dr. Phibes 1971 The Abominable Dr. Phibes, directed by Robert Fuest, is a jewel of British horror cinema that combines gothic, grotesque and black humor in a fascinating and macabre mix. Played by a charismatic Vincent Price, the film tells the story of the eccentric and brilliant Dr. Anton Phibes' revenge against the doctors he believes are responsible for his wife's death.
The plot develops as a series of murders inspired by the plagues of Egypt, an idea as ingenious as it is disturbing, which gives life to visually surprising sequences. The baroque aesthetic, with rich sets and saturated colors, creates a dreamlike and surreal atmosphere... Read More |
 | Inferno 1980 Inferno is the second chapter of the famous Three Mothers trilogy by Dario Argento, a work that fits into the esoteric horror genre with a strong visual and symbolic structure. Shot partly in the evocative setting of Rome, the film is configured as an intricate narrative and sensorial labyrinth, capable of surprising the viewer with sudden twists and disturbing atmospheres. However, despite the high technical and stylistic quality, the ending is perhaps the least convincing element of the entire film.
The main strength of Inferno lies precisely in Argento's directorial mastery, who abandons the lively and psychedelic color... Read More |
 | Schock 1977 The latest cinematic chapter of the Italian master Mario Bava, Shock, presents itself as a farewell to his directorial career, emerging from a decade marked by a rebirth of Italian cinema imbued with anger, ambiguity and a fascination for the macabre. The film, a cross between giallo, thriller and horror, is a testimony to that essential contribution of Bava, which had already inspired entire generations of directors.
In this work, however, one senses the loss of that personal imprint: the meticulousness in the photography, a distinctive sign that had made the director famous, as well as that bitter irony capable of mocking... Read More |
 | Lord of Misrule 2023 Bland horror that mixes paganism, thriller and folklore of British popular traditions. The story recalls the 1973 film "The Wicker Man" with Christopher Lee
but is much less exciting, due to a watered down script and a perhaps improvised direction even if it must be said that the real and the supernatural mix in an interesting crossover and the atmosphere is fascinating, especially the sequences in the woods during a lunar eclipse. Ultimately a disappointing film but one that is worth watching. |
 | Ghostland 2018 10 years after the traumatic and now cult work "Martyrs", French director Pascar Laugier returns with a rural horror film -home invasion- that takes place within the walls of an old house populated by dolls and lace.
Given the director, I expected to find myself in front of another film at the limits of endurance, instead the film is violent and dark but without useless, in my opinion, splatter sequences. The fear runs on a thin thread, touching very well the keys of morbidity, madness and dream.
The director has fun disorienting the viewer by making him believe that evil lives inside disturbing ceramic dolls, which instead turn... Read More |
