Mysterious
 | The OmenMovie Review The film builds to a crescendo of anxiety and fear without the need for excessive jump scares, thanks to a refined direction and a soundtrack (composed by Jerry Goldsmith) that has become iconic. Gregory Peck and Lee Remick offer convincing performances that give credibility to the story. Little Damien (Harvey Stephens) is perfectly disturbing. Some sequences, such as the death of the priest and that of the nanny, are still among the scariest in the history of cinema. The Omen is a psychological horror that plays on religious fears and the inevitability of fate. With a well-constructed narrative and a terrifying... Read More |
 | Founders DayMovie Review Blood, Masks, and… Democracy?! If you thought politics was already scary enough, Founders Day takes electoral terror to a whole new level. This slasher with a patriotic twist blends elections, mystery, and a masked serial killer sporting a judge’s wig, ready to enforce his own laws… with a bloody gavel! The tone is a mix between Scream and a presidential debate… except here, if you answer wrong, you don’t just lose votes—you lose your head! The performances are surprisingly solid for an indie horror film, with believable young leads and an antagonist who knows how to leave a lasting impression. The... Read More |
 | The AddictionMovie Review Directed by Abel Ferrara, The Addiction is a vampire film that transcends the confines of the horror genre to explore philosophical and metaphysical themes related to sin, addiction and the nature of evil. Shot in evocative black and white, the film is a visceral meditation on the loss of free will and the corruption of the soul. Ferrara uses vampirism as a metaphor for addiction and self-destruction, recurring themes in his filmography. The film is deeply influenced by existentialist thought and nihilism, with frequent references to philosophers such as Nietzsche and Heidegger. Lili Taylor offers an intense performance... Read More |
 | My Heart Can't Beat Unless You Tell It ToMovie Review Unlike typical vampire films, My Heart Can't Beat Unless You Tell It To focuses more on family drama than conventional fear. The tone is melancholic, with a slow and suffocating narration that immerses the viewer in the anguish of the protagonists. The most disturbing aspect is not the violence itself, but the emotional toll that sacrifice and morality impose on the brothers. Jonathan Cuartas builds a claustrophobic and desolate world, emphasizing the loneliness of the characters through dark photography and a clever use of silence. The setting - an anonymous and decadent suburb - amplifies the sense of isolation and... Read More |
 | The HungerMovie Review Based on the novel of the same name by Whitley Strieber, the film is a sensual and decadent reinterpretation of the vampire myth, characterized by a refined aesthetic and a disturbing atmosphere. The film is a hypnotic visual experience, with an aesthetic style that mixes gothic with 80s glamour. The use of soft lighting, luxurious settings and an evocative soundtrack (including Bela Lugosi’s Dead by Bauhaus) help to create a sense of alienation and mystery. Tony Scott, in his directorial debut, favours the visual and atmospheric side over traditional storytelling, transforming the film into a sensorial work that focuses... Read More |
 | Prince of DarknessMovie Review John Carpenter is a master at transforming primal fears into unforgettable cinematic experiences, Prince of Darkness is one of his most disturbing and underrated films. With a mix of metaphysical horror, science fiction and paranoia, the director drags us into a nightmare that defies logic and faith, playing with the concept of absolute evil and the fragility of human perception. Carpenter creates a claustrophobic and unhealthy atmosphere, in which the tension grows inexorably. The masterful use of shots and the soundtrack – composed by Carpenter himself – contribute to creating a sense of constant menace. The dark... Read More |
 | You Should Have LeftMovie Review Psychological thriller based on the novel of the same name by German Daniel Kehlmann, who in turn was inspired by the literary cult "House of Leaves" but wrote a much simpler and shorter, but still interesting, story. |
 | FirestarterMovie Review Based on Stephen King's novel, it had already been brought to the cinema in 1984, starring a very young Drew Barrymore arriving from the set of E.T., with terrible results. 40 years later, things are not better, after all we know that Blumhouse production specializes in low-budget horror, and it shows! From the special effects, to the acting, to the settings, everything is bland without ideas or emotions. The only thing that is saved from the film is the soundtrack by the great John Carpenter (who in '84 should have directed it, but who was unfortunately replaced). |
 | Dream scenarioMovie Review Produced by Ari Aster. We find a great Nicolas Cage thrown into a story so absurd that it is hard to believe it is based on a true story. The film moves brilliantly between the horror, surreal comedy and drama genres in a disturbing atmosphere bordering on the grotesque, both the comical situations and the disturbing and mysterious ones are very successful. All emphasized by an evocative soundtrack. Absolutely worth seeing. |
 | The WatchersMovie Review Feature film debut by Ishana Night Shyamalan, daughter of the more famous M. Night. Freely adapted from the fantasy-horror novel of the same name by A. M. Shine, the film boasts an evocative and disturbing atmosphere and is not lacking in twists. Well done Dakota Fanning. The pace, however, is fluctuating and some passages are a little confusing, perhaps due to the director's inexperience, but as a first effort, it's still not bad. |