Watch horror Movies for free with Amazon Prime

Strait-Jacket

1964
7
Director: 
William Castle

SYNOPSIS: 

Lucy is released from the psychiatric clinic where she was locked up for having chopped up her husband and his lover with an axe. Waiting for her in her brother's house is her daughter Carol, who, at the time, was a child.

REVIEW: 

The film we are talking about is based on a story by the writer Robert Bloch, author of the famous horror masterpiece Psycho, a name that immediately evokes shivers and uneasiness. This film, however, is not supported by a particularly complex plot or by special effects that lift the skin, but rather by the extraordinary talent of the leading actress, Joan Crawford. In one of her last performances, Crawford stands as a central and dominant figure, a colossus of emotions that manages to convey to the viewer every single thrill, every anguish, every delirium that pervades her tormented spirit. She is, in fact, the true protagonist of the film, with her face marked by time and experience, wrinkles that tell of a life lived between light and shadow, and tense, almost twisted expressions that reflect her slow, inexorable giving in to fear.

The actress, after the triumph of What Ever Happened to Baby Jane?, a film that had given her back her lost fame, found herself once again playing a disturbing character, marked by madness and torment. With a mastery that only a career rich in experiences like hers could forge, Crawford literally steals the scene. Every beat of her heart, every jolt of tension on her skin seems to be perceptible to the viewer, who cannot help but follow her descent into an abyss of terror and paranoia. Her performance develops in a crescendo of oppressive anguish, where the sense of claustrophobia and anxiety is transmitted without any reserve, pushing the viewer to feel the weight of that suffering on their own skin.

Although the film was initially classified as a B-series film, with all the prejudices that this definition entails, over the years it has gained a new light. Rediscovered, especially by fans of 1960s horror cinema, it has become a cult title, which has managed to emerge from the shadows of its own era, rediscovering its value thanks to Crawford's extraordinary interpretation. A film that, although belonging to a category of films often overlooked, has managed to earn the respect and adulation of those who appreciate the art of psychological tension and the power of human drama brought to the big screen.

SIMILAR MOVIES REVIEWS

OTHER MOVIES REVIEWS

Schock

1977

The latest cinematic chapter of the Italian master Mario Bava, Shock, presents itself as a farewell to his directorial career, emerging from a decade marked by a rebirth of Italian cinema imbued with anger, ambiguity and a fascination for the macabre. The film, a cross between giallo, thriller and horror, is a testimony to that essential contribution of Bava, which had already inspired entire generations of directors. In this work, however, one senses the loss of that personal imprint: the meticulousness in the photography, a distinctive sign that had made the director... Read More

Cube

1997

I couldn't wait to talk about this extraordinary Canadian film, which I consider without hesitation one of the best horror films of all time, so much so that it is in my personal top 5 of the genre. The director, Vincenzo Natali, is often unfairly underrated, but with Cube he has demonstrated a visionary talent that deserves full recognition. This is his first feature film, the film that made him a household name, and despite an extremely low budget (around $350,000), it manages to give the impression of a much more ambitious and refined work than one might expect. Its... Read More

only lovers left alive

2013

If you are fascinated by the world of vampires, this extraordinary dark film is an essential viewing. The film tells the immortal love story between Adam and Eve, masterfully played by Tom Hiddleston and Tilda Swinton. Their afterlife is immersed in a decadent and melancholic atmosphere, where the beauty of art and knowledge clashes with the decadence of contemporary society. With a refined gothic aesthetic and a touch of biting irony, the film is configured as a poetic reflection on the crisis of modern humanity, incapable of preserving the wonders that it has been... Read More

The Hand

1981

A young Oliver Stone directs his second film, once again in the horror genre, in which the protagonist is an artist who faces a progressive psychotic deterioration, which will lead him to increasingly confront his dark side. Some moments are visually powerful, such as the use of black and white in the dream sequences; the violent scenes are well shot and satisfy fans of the genre. The whole thing is guided by the mastery of Michael Caine, who in this role can fully express his "histrionics", still managing to make it effective. The plot, although rather simple and at... Read More

The Last Man on Earth

1964

The film, based on the famous novel by Richard Matheson I Am Legend, manages to recreate the atmosphere of the book well, despite the limited budget. The Italian director Ubaldo Ragona does a better job than the more famous Boris Sagal, who made The Omega Man a few years later. This is probably due to the fact that Vincent Price, very comfortable in an Italian co-production, surpasses the talented Charlton Heston. With his usual theatricality, Price offers a performance reminiscent of silent films, particularly effective in the part where he is alone, for half the film.... Read More