Watch horror Movies for free with Amazon Prime

The Last Man on Earth

1964
7
Director: 
Ubaldo Ragona

SYNOPSIS: 

After an unknown epidemic, Dr. Morgan is the only survivor on earth: all other humans have turned into vampires. To survive, during the day he is forced to exterminate as many monsters as possible and at night he must defend himself in every way from contamination. But Morgan soon discovers that he is not the only one to have defeated the terrible virus.

REVIEW: 

The film, based on the famous novel by Richard Matheson I Am Legend, manages to recreate the atmosphere of the book well, despite the limited budget. The Italian director Ubaldo Ragona does a better job than the more famous Boris Sagal, who made The Omega Man a few years later. This is probably due to the fact that Vincent Price, very comfortable in an Italian co-production, surpasses the talented Charlton Heston. With his usual theatricality, Price offers a performance reminiscent of silent films, particularly effective in the part where he is alone, for half the film. The first part is very suggestive, thanks to the beautiful images of a deserted Rome, but the second half becomes slower and less interesting, losing the initial charm, only to pick up again with a dramatic ending. It is important to remember that the film is from 1964, thus anticipating by five years Romero's classic Night of the Living Dead, which officially gave birth to the zombie genre.

SIMILAR MOVIES REVIEWS

OTHER MOVIES REVIEWS

Repulsion

1965

The film is a thriller full of tension, especially in the scenes where the protagonist experiences hallucinations. The horror atmosphere, with a touch of surrealism, is really intense. Although it may seem crude, this is intended by the director, who wants to show the harsh reality of the protagonist's life. The story tells of a woman in crisis, who no longer feels comfortable with the old values of society. This leads her to confront a harsh and chauvinistic reality, where she feels the weight of being a woman. The protagonist is alienated and desperate, aware that the... Read More

Don't Look Now

1973

A suggestive and deeply layered reinterpretation of a universal fairy tale like Little Red Riding Hood, which finds in its protagonists, Donald Sutherland and Julie Christie, two extraordinary interpreters. However, the director eludes any predefined scheme, escapes conventions and leads the viewer on a labyrinthine, almost subliminal path. What on the surface seems like a parapsychological horror, complete with a hunt for a serial killer, actually turns out to be a work of extraordinary complexity: an investigation into the reworking of grief within a couple, into the... Read More

Magic

1978

A disturbing psychological thriller that mixes horror and tension, with a sinister puppet and a young Anthony Hopkins in one of his most intense performances. To get into the role, the British actor immersed himself in the study of ventriloquism techniques, giving his character a tormented and vulnerable depth. His hypnotic gaze and his ability to convey complex emotions make the performance unforgettable. Behind the camera, Richard Attenborough orchestrates the story with almost surgical precision, enhancing every detail and giving the story an unusual realism for the... Read More

Hush... Hush, sweet Charlotte

1964

It was supposed to be the natural sequel to the cult film "What Ever Happened to Baby Jane?", but Joan Crawford backed out, and Robert Aldrich, also a producer, chose Olivia de Havilland as a replacement, giving her a role far from her usual "women in distress". Once again based on a novel by Henry Farrell, the film does not reach the originality and impact of its predecessor, but it remains one of the best products born in the wake of that success. Not only for the remarkable performance of Bette Davis but also for the intricate plot, centered on the psychological duel... Read More

Les Yeux sans visage

1960

Based on the novel of the same name by Jean Redon, this little gem that lasts just over an hour is a fundamental film for the development of modern horror, among all it has inspired John Carpenter's "halloween". The film is poetic but also damn cruel in its elegant black and white, the scene of the surgical operation anticipates today's extreme cinema by a long way, in fact the critics of the time called it vile and gruesome... But the film is above all a horror with strong psychological elements. At the center of the story are the sense of guilt, an unhealthy gratitude... Read More