Watch horror Movies for free with Amazon Prime

The Hunger

1983
8
Director: 
Tony Scott

SYNOPSIS: 

Miriam Blaylock (Catherine Deneuve) is an immortal vampire who feeds on human blood to stay young and beautiful. At her side is her lover John (David Bowie), a man who has enjoyed the same immortality for centuries, until he suddenly begins to age rapidly. Desperate, he turns to Dr. Sarah Roberts (Susan Sarandon), a researcher specializing in premature aging. When Sarah encounters the mysterious Miriam, she is drawn into a dark world of desire, seduction and death.

REVIEW: 

Based on the novel of the same name by Whitley Strieber, the film is a sensual and decadent reinterpretation of the vampire myth, characterized by a refined aesthetic and a disturbing atmosphere.

The film is a hypnotic visual experience, with an aesthetic style that mixes gothic with 80s glamour. The use of soft lighting, luxurious settings and an evocative soundtrack (including Bela Lugosi’s Dead by Bauhaus) help to create a sense of alienation and mystery. Tony Scott, in his directorial debut, favours the visual and atmospheric side over traditional storytelling, transforming the film into a sensorial work that focuses on beauty and decay.

The Hunger explores themes of immortal love, loneliness and the fear of death. The figure of the vampire Miriam embodies the eternal predator, who condemns her lovers to a cruel fate: an eternal existence without youth. The film also plays with sexuality, particularly through the relationship between Miriam and Sarah, in one of the most iconic and controversial love scenes in cinema of the time.

Catherine Deneuve is icy and fascinating as the aristocratic vampire, while David Bowie offers a poignant performance, capturing the desperation of a man who sees his immortality slipping away. Susan Sarandon, on the other hand, gives a vulnerability and a growing strength to her character, making her transformation believable.

The Hunger is a film that divides the audience: some find it fascinating and stylistically innovative, while others consider it too slow and more interested in aesthetics than in the story. However, it remains a cult of horror and gothic cinema, thanks to its sophisticated atmosphere and its bold representation of sexuality and death. If you love vampires told with elegance and melancholy, this film is definitely worth a watch.

OTHER MOVIES REVIEWS

Knock at the cabin

2023

Freely adapted from the novel by Paul G. Tremblay, "The House at the End of the World", a psychological thriller that for an hour and forty minutes, plays excellently on ambiguity and sadism, sowing doubts and clues that, even before putting us in front of the apocalyptic fait accompli, prefer to push the characters and the viewer himself to ask who we should give our trust to. Shyamalan inspired the one who holds the anxious helm of Knocking at the Door, with a rhythm and a staging of great value, in which the violence is not explicitly shown but leaves room for the... Read More

Longlegs

2024

A satanic and unrecognizable Nicolas Cage in one of the most complex and successful horror films of the year. Oz Perkins, son of the iconic Anthony (Psycho) directs a horror for adults, finally without screaming and laughing teenagers. Very beautiful images in a sulphurous, depressing and morbid atmosphere... it reminds us of cornerstones such as "The Silence of the Lambs" in particular for how it proposes the detective-killer scheme. A cynical film, about the fall of illusions instilled in us as children by weak mothers, and it is the detective's mother who... Read More

Talk to Me

2022

Extremely contemporary horror, capable of maintaining high tension and shot with skill, it works better than many others because it seems that the two directors know the target audience of this type of film well and have thought of it first of all to entertain, succeeding very well. In short, a creepypasta perhaps, yes but well done and not at all superficial, the underlying theme is the lack of communication between generations, which pushes teenagers to seek increasingly extreme emotions, in this case to talk to the dead perhaps because they are unable to confide in... Read More

The Exorcism - Last Act

2024

Russell Crowe is becoming a darling of horror cinema and after the success of "The Pope's Exorcist" he returns in a cassock, but this time it is a fiction, in fact in the film Crowe plays himself... an actor in both physical and mental decline. The film is worth little but thanks to the good Russell we have fun... Especially watching him go from a depressed mood bordering on suicide to a diabolical and ruthless one of possessed, always very fascinating and effective. Beautiful photography.

The Watchers

2024

Feature film debut by Ishana Night Shyamalan, daughter of the more famous M. Night. Freely adapted from the fantasy-horror novel of the same name by A. M. Shine, the film boasts an evocative and disturbing atmosphere and is not lacking in twists. Well done Dakota Fanning. The pace, however, is fluctuating and some passages are a little confusing, perhaps due to the director's inexperience, but as a first effort, it's still not bad.