house
 | The House That Jack BuiltMovie Review Yet another controversial and highly disturbing film, which confirms Lars Von Trier as a provocative and unconventional director. The House That Jack Built is an extremely raw authorial horror, designed for an audience with a strong stomach. The film follows a circular structure in which the color red is a recurring element. Von Trier mixes images of works of art, clips from documentaries on concentration camps, cartoons and fragments of his previous films, creating a complex interweaving of symbols and references. Through a powerful visual force, he tries to strike even those who might get lost among the many... Read More |
 | SchockMovie Review The latest cinematic chapter of the Italian master Mario Bava, Shock, presents itself as a farewell to his directorial career, emerging from a decade marked by a rebirth of Italian cinema imbued with anger, ambiguity and a fascination for the macabre. The film, a cross between giallo, thriller and horror, is a testimony to that essential contribution of Bava, which had already inspired entire generations of directors. In this work, however, one senses the loss of that personal imprint: the meticulousness in the photography, a distinctive sign that had made the director famous, as well as that bitter irony capable of... Read More |
 | Strait-JacketMovie Review The film we are talking about is based on a story by the writer Robert Bloch, author of the famous horror masterpiece Psycho, a name that immediately evokes shivers and uneasiness. This film, however, is not supported by a particularly complex plot or by special effects that lift the skin, but rather by the extraordinary talent of the leading actress, Joan Crawford. In one of her last performances, Crawford stands as a central and dominant figure, a colossus of emotions that manages to convey to the viewer every single thrill, every anguish, every delirium that pervades her tormented spirit. She is, in fact, the true... Read More |
 | Gretel e HanselMovie Review A reinterpretation at times unpublished of the famous Grimm fairy tale, by the director son of art Oz Perkins who wanted to distort the original story by making major changes. Gretel is the real protagonist of the film, here becoming the older sister, the witch instead seems more like a modern Wicca with a very hostile attitude towards the male gender who lives in a house that is not at all colorful and inviting but rather dark and disturbing. Furthermore, the story is marked by a strong feminist imprint. There is little horror in this film but a lot of dark folkloristic atmosphere of a black fairy tale, every... Read More |
 | WithinMovie Review There is little to say about this film, a banal story (how many horror films begin with a family moving?) and also copied, it recalls for example "Crawlspace" by David Schmoeller from 1986 with Klaus Kinski, it offers some small surprises but not even very original. |
 | What Ever Happened to Baby Jane?Movie Review Based on the novel by Henry Farrell released in 1960, the film is considered the progenitor of the psycho-biddy subgenre where the protagonists are mentally unstable elderly women, ready to terrorize the unfortunate ones on duty. Playing the disturbing sisters in this psychological thriller, a small jewel of genre cinema, are an unforgettable Bette Davis and Joan Crawford, great Hollywood stars now in their twilight years. Despite being free of bloody or macabre scenes, the film is a hallucinatory journey through sadism, madness and family resentments... Claustrophobic, having shot in black and white makes the face of the great... Read More |
 | The Deep HouseMovie Review Yet another reinterpretation of haunted houses but rather original because the ghosts emerge from the bottom of the abyss this time. A high-tension film that involves you in first person... together with the protagonists we will always be underwater and we will feel like we can't breathe, we will feel trapped without the possibility of resurfacing... Highly not recommended for those who suffer from hydrophobia. The film is technically excellent and visually very beautiful and even if the story is simple and the characters stereotyped it still does not bore, perhaps also because of the short duration. The underlying message is a... Read More |
 | GhostlandMovie Review 10 years after the traumatic and now cult work "Martyrs", French director Pascar Laugier returns with a rural horror film -home invasion- that takes place within the walls of an old house populated by dolls and lace. |
 | You Should Have LeftMovie Review Psychological thriller based on the novel of the same name by German Daniel Kehlmann, who in turn was inspired by the literary cult "House of Leaves" but wrote a much simpler and shorter, but still interesting, story. |
 | Knock at the cabinMovie Review Freely adapted from the novel by Paul G. Tremblay, "The House at the End of the World", a psychological thriller that for an hour and forty minutes, plays excellently on ambiguity and sadism, sowing doubts and clues that, even before putting us in front of the apocalyptic fait accompli, prefer to push the characters and the viewer himself to ask who we should give our trust to. Shyamalan inspired the one who holds the anxious helm of Knocking at the Door, with a rhythm and a staging of great value, in which the violence is not explicitly shown but leaves room for the imagination and I appreciate this. |