 | Cube 1997 I couldn't wait to talk about this extraordinary Canadian film, which I consider without hesitation one of the best horror films of all time, so much so that it is in my personal top 5 of the genre. The director, Vincenzo Natali, is often unfairly underrated, but with Cube he has demonstrated a visionary talent that deserves full recognition.
This is his first feature film, the film that made him a household name, and despite an extremely low budget (around $350,000), it manages to give the impression of a much more ambitious and refined work than one might expect. Its strength lies in a simple but incredibly effective basic... Read More |
 | Strait-Jacket 1964 The film we are talking about is based on a story by the writer Robert Bloch, author of the famous horror masterpiece Psycho, a name that immediately evokes shivers and uneasiness. This film, however, is not supported by a particularly complex plot or by special effects that lift the skin, but rather by the extraordinary talent of the leading actress, Joan Crawford. In one of her last performances, Crawford stands as a central and dominant figure, a colossus of emotions that manages to convey to the viewer every single thrill, every anguish, every delirium that pervades her tormented spirit. She is, in fact, the true protagonist... Read More |
 | Hush... Hush, sweet Charlotte 1964 It was supposed to be the natural sequel to the cult film "What Ever Happened to Baby Jane?", but Joan Crawford backed out, and Robert Aldrich, also a producer, chose Olivia de Havilland as a replacement, giving her a role far from her usual "women in distress". Once again based on a novel by Henry Farrell, the film does not reach the originality and impact of its predecessor, but it remains one of the best products born in the wake of that success. Not only for the remarkable performance of Bette Davis but also for the intricate plot, centered on the psychological duel between the protagonists, full of twists and with a well-... Read More |
 | Nosferatu 2024 Remake of the 1922 German silent expressionist film classic "Nosferatu the Vampyre", loosely based on the novel Dracula (1897) by Irish writer Bram Stoker.
For me, who saw the 1979 cult movie "Nosferatu: Phantom der Nacht", the comparison with this new version is inevitable, which did not excite me.
The aforementioned was certainly much simpler and poorer in its sober and perhaps even a little squalid staging and focused a lot on the perverse and disturbing charm of the protagonists, the beautiful Isabelle Adjani and the damned Klaus Kinski. Here, however, the exact opposite happens, the film is nominated for an Oscar for... Read More |
 | What Ever Happened to Baby Jane? 1962 Based on the novel by Henry Farrell released in 1960, the film is considered the progenitor of the psycho-biddy subgenre where the protagonists are mentally unstable elderly women, ready to terrorize the unfortunate ones on duty. Playing the disturbing sisters in this psychological thriller, a small jewel of genre cinema, are an unforgettable Bette Davis and Joan Crawford, great Hollywood stars now in their twilight years. Despite being free of bloody or macabre scenes, the film is a hallucinatory journey through sadism, madness and family resentments... Claustrophobic, having shot in black and white makes the face of the great... Read More |
 | Immaculate 2024 Religious horror without demoniacs or exorcisms, played by the new American movie star Sydney Sweeney who also produces here and is the fulcrum of this film... she is perfect in the role with her angelic face that however in the ending, now a cult of this film, is transfigured thus becoming a great "scream queen" almost on the level of Isabelle Adjani in "Possession".
Bloody tribute to the European horror of the 70s but more interested in the psychological aspect of the genre, it has the merit of showing without reticence the ecclesiastical community as a bunch of opportunistic and false fanatics. Very good direction and certainly... Read More |