Watch horror Movies for free with Amazon Prime

Ouija

Ouija movie
2014
0
Director: 
Stiles White

SYNOPSIS: 

Following the sudden death of her best friend, Debbie, Laine finds an antique Ouija board in Debbie's room and tries to use it to say goodbye. Instead, she makes contact with a spirit that calls itself DZ. As strange events begin to occur, Laine enlists others to help her determine DZ's identity and what it wants. As the friends delve deeper, they find that Debbie's mysterious death was not unique, and that they will suffer the same fate unless they learn how to close the portal they've opened

REVIEW: 

As kids, best friends Debbie and Laine used to play with Laine's Ouija board. It was merely a creepy little diversion since neither of them really believed the game was connecting them to "other side." So it was just the eerie idea that some ghostly figure had its invisible hand on the planchette with theirs—moving the plastic pointer from letter to letter on the board—that kept them going at it, giggling all the while. 

The rules they played by? (Laine had picked them up somewhere and said they should never be broken.) You never played alone. You never played in a graveyard. You always said goodbye at the end of each session. And you began with these words: "As friends we've gathered, hearts are true. Spirits near, we call to you."

It was all just fun and, well, games, right? They figured, why would calling out to dead spirits be a problem?

A few years later, Debbie was cleaning out her dusty old attic when she stumbled upon a very old Ouija board and some other creepy remnants. This hand-painted board had a planchette carved out of wood. And the pieces were so antique-looking and cool that Debbie just had to dust them off and give them a try. She even decided to record herself using the board while sitting in her bedroom. Alone. 

Here we have yet another woeful byproduct of that much ballyhooed partnership between Hasbro and Universal Pictures. Because this is far from family board game fun at the Cineplex.

Rather, this movie feels like it was the result of a gaggle of writers—assigned a title and a deadline—just haphazardly jotting down every tired ghost story trope they could think of. From the creepy doll in the attic to the hidden torture room in the basement to the found footage of a teen dabbling with evil to the crazy kids who keep coming back for more ... well, the tale stretches logic and any sort of sense to the snapping point on numerous occasions.

It's a serious subject, though, the use of a Ouija board. And at least this cinematic jump scene smorgasbord—with its creepy collection of nasty teen murders and twisted spirituality—curiously informs us that communing with the dead will, um, get you dead. That it's not appealing in any way. And that you should run far, far away if any of your friends think it's a cool idea. Take that at face value, and Scripture gives the sentiment two thumbs up, so we certainly will too. 

Still, "It might pique their interest, especially if it's something they haven't played or thought about in a long time," says Jesse Cruz, manager of the Puzzle Zoo toy store in Los Angeles. "There's always some curiosity that comes with these things." And, indeed, it's the idea of playing with fire, getting "in touch" with something dangerous that compels many teens to play around with Ouija boards. So is it misbegotten and odd or accidentally clever, then, that this Hasbro-approved movie delivers the dictum: BURN ALL OUIJA BOARDS!

OTHER MOVIES REVIEWS

Possession

1981

Horror cinema is full of films considered "cursed", initially censored or banned, but then become true cult films. This is the case of Possession, a film that at the time left even the most expert critics speechless. Difficult to classify, Possession is still a horror film: there are violent scenes, lots of fake blood, a monstrous creature and, above all, the representation of Evil in all its power. But it is also a much more complex film than the classics of the genre. In 1981, Żuławski was already an established director. The film begins by telling, with obsessive... Read More

The House That Jack Built

2018

Yet another controversial and highly disturbing film, which confirms Lars Von Trier as a provocative and unconventional director. The House That Jack Built is an extremely raw authorial horror, designed for an audience with a strong stomach. The film follows a circular structure in which the color red is a recurring element. Von Trier mixes images of works of art, clips from documentaries on concentration camps, cartoons and fragments of his previous films, creating a complex interweaving of symbols and references. Through a powerful visual force, he tries to strike... Read More

Schock

1977

The latest cinematic chapter of the Italian master Mario Bava, Shock, presents itself as a farewell to his directorial career, emerging from a decade marked by a rebirth of Italian cinema imbued with anger, ambiguity and a fascination for the macabre. The film, a cross between giallo, thriller and horror, is a testimony to that essential contribution of Bava, which had already inspired entire generations of directors. In this work, however, one senses the loss of that personal imprint: the meticulousness in the photography, a distinctive sign that had made the director... Read More

Cube

1997

I couldn't wait to talk about this extraordinary Canadian film, which I consider without hesitation one of the best horror films of all time, so much so that it is in my personal top 5 of the genre. The director, Vincenzo Natali, is often unfairly underrated, but with Cube he has demonstrated a visionary talent that deserves full recognition. This is his first feature film, the film that made him a household name, and despite an extremely low budget (around $350,000), it manages to give the impression of a much more ambitious and refined work than one might expect. Its... Read More

only lovers left alive

2013

If you are fascinated by the world of vampires, this extraordinary dark film is an essential viewing. The film tells the immortal love story between Adam and Eve, masterfully played by Tom Hiddleston and Tilda Swinton. Their afterlife is immersed in a decadent and melancholic atmosphere, where the beauty of art and knowledge clashes with the decadence of contemporary society. With a refined gothic aesthetic and a touch of biting irony, the film is configured as a poetic reflection on the crisis of modern humanity, incapable of preserving the wonders that it has been... Read More