 | 1964The film, based on the famous novel by Richard Matheson I Am Legend, manages to recreate the atmosphere of the book well, despite the limited budget. The Italian director Ubaldo Ragona does a better job than the more famous Boris Sagal, who made The Omega Man a few years later. This is probably due to the fact that Vincent Price, very comfortable in an Italian co-production, surpasses the talented Charlton Heston. With his usual theatricality, Price offers a performance reminiscent of silent films, particularly effective in the part where he is alone, for half the film.... Read More |
 | 1965The film is a thriller full of tension, especially in the scenes where the protagonist experiences hallucinations. The horror atmosphere, with a touch of surrealism, is really intense. Although it may seem crude, this is intended by the director, who wants to show the harsh reality of the protagonist's life. The story tells of a woman in crisis, who no longer feels comfortable with the old values of society. This leads her to confront a harsh and chauvinistic reality, where she feels the weight of being a woman. The protagonist is alienated and desperate, aware that the... Read More |
 | 1973A suggestive and deeply layered reinterpretation of a universal fairy tale like Little Red Riding Hood, which finds in its protagonists, Donald Sutherland and Julie Christie, two extraordinary interpreters. However, the director eludes any predefined scheme, escapes conventions and leads the viewer on a labyrinthine, almost subliminal path. What on the surface seems like a parapsychological horror, complete with a hunt for a serial killer, actually turns out to be a work of extraordinary complexity: an investigation into the reworking of grief within a couple, into the... Read More |
 | 1978A disturbing psychological thriller that mixes horror and tension, with a sinister puppet and a young Anthony Hopkins in one of his most intense performances. To get into the role, the British actor immersed himself in the study of ventriloquism techniques, giving his character a tormented and vulnerable depth. His hypnotic gaze and his ability to convey complex emotions make the performance unforgettable.
Behind the camera, Richard Attenborough orchestrates the story with almost surgical precision, enhancing every detail and giving the story an unusual realism for the... Read More |
 | 1964It was supposed to be the natural sequel to the cult film "What Ever Happened to Baby Jane?", but Joan Crawford backed out, and Robert Aldrich, also a producer, chose Olivia de Havilland as a replacement, giving her a role far from her usual "women in distress". Once again based on a novel by Henry Farrell, the film does not reach the originality and impact of its predecessor, but it remains one of the best products born in the wake of that success. Not only for the remarkable performance of Bette Davis but also for the intricate plot, centered on the psychological duel... Read More |
