children
Goodnight MommyMovie Review A psychological thriller with horror nuances, a remake of a 2014 Austrian film described as disturbing and highly praised by critics. Hidden behind a mask, we find the always good Naomi Watts, here also a producer, in the role of a mother who whispers a horror lullaby in the ears of her children... to tell us that very, too often the monster lives within the walls of the home and in the people closest to us. Compared to the original film, there is much less ferocity and cruelty, but it is still a good film of tension and mystery. The dream sequences are particularly suggestive. | |
LonglegsMovie Review A satanic and unrecognizable Nicolas Cage in one of the most complex and successful horror films of the year. Oz Perkins, son of the iconic Anthony (Psycho) directs a horror for adults, finally without screaming and laughing teenagers. Very beautiful images in a sulphurous, depressing and morbid atmosphere... it reminds us of cornerstones such as "The Silence of the Lambs" in particular for how it proposes the detective-killer scheme. | |
ImaginaryMovie Review A rather basic film, almost for children, calling it horror is not really appropriate, | |
The Curse of La LloronaMovie Review If you’re a fan of the ever-expanding universe of The Conjuring, then it makes sense that The Curse of La Llorona would definitely be on your radar. It is the sixth addition to the franchise, joining other recent hits like The Nun and Annabelle in fleshing out the world first introduced by the original Conjuring back in 2013. It’s also the directorial debut of... Read More | |
Pet SemataryMovie Review Whether you’re the type of person who loves remakes or simply the type who loves to hate them, it’s highly likely that 2019’s Pet Sematary is on your radar for one reason or another if you’re into horror. It’s directed by Kevin Kölsch and Dennis Widmyer (who also directed Starry Eyes) and is, of course, a reboot of the classic Stephen King film... Read More | |
A Quiet PlaceMovie Review There are movies that take their time building a mood and movies that pull you right into their carefully crafted worlds pretty much right away. John Krakinski’s A Quiet Place is definitely the latter. The first thing the viewer sees is a barefoot family scavenging for supplies in the middle of an abandoned supermarket. However, they’re doing so completely silently – not exactly average for a family that includes three children. We’re promptly informed via a title card that we’re on “Day 89” of whatever’s going on and with that, our journey into this very quiet world... Read More | |
Slender ManMovie Review When Sony Pictures first dropped the news that it would be making a horror film based on the online legend of the Slender Man, fans of the original creepypasta story were excited. Others, however, saw the movie as a tasteless attempt to cash in on the Slender Man-related Wisconsin attempted murder detailed in last year’s HBO documentary, Beware the Slenderman. (The film is, in fact, banned in Wisconsin where the crimes took place.) Whichever camp you’re personally a part of, if you’re a fan of horror movies, the chances are pretty good that you’re at least... Read More | |
Annabelle: CreationMovie Review "Annabelle: Creation" falls in accordance with the advanced awfulness wave. It's the fourth film in "The Conjuring" serie — and the second spinoff to focus on Annabelle, a freaky-looking doll that resembles the Victorian-period cousin of "Child's Play's" Chucky — and it has every one of the components of a contemporary frightfulness hit, including the frightening doll, the spooky (or spooked out) kids and the house that is too huge not to be alarming during the evening. | |
PreservationMovie Review So this is somewhat of a spoiler, however the "motif" of this motion picture is the killers are young people - however I'm certain you likely made sense of that when you read they ride bikes. | |
The BabadookMovie Review The fear present in The Babadook is almost unfounded. It's hard to remember the last time a potent, eerie mood piece fit this much terror within its walls - both physically and psychologically. Not that films today don't have the power of scaring their audience, it's just that the effect is surface-layer for the most part, easy to shake off because of a certain distance to be attained. In other words, the fear is so within its own horror genre that once taken out the fact that it's a film meant to scare, it does nothing. The Babadook masterfully allows everyone else currently making horror films to take note,... Read More |