 | Fantasy Island 2020 A horror remake of the famous ABC TV series from the 70s/80s that keeps almost nothing of the original, only the magnificent island of dreams. Another low-budget production by Blumhouse designed not for what we all expected, that is, a middle-aged audience nostalgic for the TV series, but instead, as usual, for kids. A youthful soft horror that badly mixes various genres, thriller, melodrama, comedy, blending everything together... The result is a dull and idealess film, with an anonymous cast. In short, extremely boring. |
 | The Invisible Man 2020 The latest adaptation, a great success, of the famous novel of the same name written in 1897 by H. G. Wells. Adapted to our days to talk about stalking... And to immerse us in the furious and anguished fight of a woman, played to perfection by Elisabeth Moss, against her tormentor. It is likely that the female audience may feel disturbed by the vision, as it happened to me, and want to change the channel, but don't do it! The film is worth it in every sense, suggestive photography and excellent direction (Whannell is best known for having created the thriller-horror saga Saw with James Wan) and above all repeated twists. Not to be... Read More |
 | Occhiali neri 2022 First part is good, it seems to return to the atmosphere and style of Italian thriller/horror cinema from fifty years ago and this is a good thing, we immediately recognize the unmistakable style of Dario Argento, good Asia Argento and Ilenia Pastorelli... but then the collapse begins! When the whole story is reduced to running away from the murderer, we enter the paradoxical and inexplicable, such as to provoke contrasting reactions from laughter to indignation. Dialogues so simple that they seem written by a child. Tragicomic ending, but still a particular film that in my opinion must be seen. |
 | Knock at the cabin 2023 Freely adapted from the novel by Paul G. Tremblay, "The House at the End of the World", a psychological thriller that for an hour and forty minutes, plays excellently on ambiguity and sadism, sowing doubts and clues that, even before putting us in front of the apocalyptic fait accompli, prefer to push the characters and the viewer himself to ask who we should give our trust to. Shyamalan inspired the one who holds the anxious helm of Knocking at the Door, with a rhythm and a staging of great value, in which the violence is not explicitly shown but leaves room for the imagination and I appreciate this. |
 | The Pope's Exorcist 2023 An investigative horror/thriller with strong supernatural undertones, but for those expecting something similar to the famous 1973 Exorcist, you will be disappointed, this is a much lighter product and I say thank goodness! The entire staging is on the shoulders of a self-deprecating, charming and effective protagonist, aided by a bass drum of special effects especially in the second part, arriving at an almost grotesque ending. Ultimately I would say a film with a high level of entertainment and often even funny that does not want to offer anything more than that. |
 | The menù 2022 Culinary horror that serves us a ferocious satire on social inequality and the vulgar opulence of the rich, mocking the world of conceptual/molecular cuisine where you eat very little and spend a lot. What should have been an exclusive dinner turns into carnage under the crazy direction of a great, funny and at the same time glacial Ralph Fiennes. The tension is growing and the twists follow one another repeatedly. Surprising until the last scene. All the actors are excellent. A must see. |
