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 | The Little Girl Who Lives Down the LaneMovie Review The film is a psychological thriller that explores themes of isolation, loneliness, and the fragility of childhood. Jodie Foster's performance is exceptional, and her chemistry with Martin Sheen is palpable. The film received positive reviews from critics, with many praising its tense atmosphere and original storyline. The film was shot in just 20 days, and Jodie Foster was only 13 years old when she played the role of Rynn. |
 | From Beyond the GraveMovie Review From Beyond the Grave - The Film That Will Make You Rethink Shopping at Thrift Stores Have you ever thought about buying a vintage item and worrying that it might be cursed? No? Well, after watching From Beyond the Grave, you might start thinking twice before haggling with an antique dealer who looks as sinister as Peter Cushing. This little gem of British horror takes us through an anthology of tales that feel like episodes of The Twilight Zone, but with that unmistakable ‘70s touch—questionable fashion choices, homemade special effects, and actors delivering performances with the enthusiasm of someone paying off... Read More |
 | Ghost StoriesMovie Review Ghost Stories is a British psychological horror film adapted from their play of the same name. The film stands out for its disturbing atmosphere, layered narrative and a surprising ending that overturns the viewer's expectations. Dyson and Nyman build a horror that relies more on psychological tension than gratuitous jump scares. The use of lighting, sound and distressing shots contribute to creating a sense of growing unease. Each story has its own visual identity and a different narrative style, reflecting the personal fears of the protagonists. Andy Nyman offers an intense and engaging interpretation, making... Read More |
 | SchockMovie Review The latest cinematic chapter of the Italian master Mario Bava, Shock, presents itself as a farewell to his directorial career, emerging from a decade marked by a rebirth of Italian cinema imbued with anger, ambiguity and a fascination for the macabre. The film, a cross between giallo, thriller and horror, is a testimony to that essential contribution of Bava, which had already inspired entire generations of directors. In this work, however, one senses the loss of that personal imprint: the meticulousness in the photography, a distinctive sign that had made the director famous, as well as that bitter irony capable of... Read More |
 | RepulsionMovie Review The film is a thriller full of tension, especially in the scenes where the protagonist experiences hallucinations. The horror atmosphere, with a touch of surrealism, is really intense. Although it may seem crude, this is intended by the director, who wants to show the harsh reality of the protagonist's life. The story tells of a woman in crisis, who no longer feels comfortable with the old values of society. This leads her to confront a harsh and chauvinistic reality, where she feels the weight of being a woman. The protagonist is alienated and desperate, aware that the world is changing, but remains tied to traditional values.... Read More |
 | Don't Look NowMovie Review A suggestive and deeply layered reinterpretation of a universal fairy tale like Little Red Riding Hood, which finds in its protagonists, Donald Sutherland and Julie Christie, two extraordinary interpreters. However, the director eludes any predefined scheme, escapes conventions and leads the viewer on a labyrinthine, almost subliminal path. What on the surface seems like a parapsychological horror, complete with a hunt for a serial killer, actually turns out to be a work of extraordinary complexity: an investigation into the reworking of grief within a couple, into the tension between faith and rationality, into the unfathomable... Read More |
 | Hush... Hush, sweet CharlotteMovie Review It was supposed to be the natural sequel to the cult film "What Ever Happened to Baby Jane?", but Joan Crawford backed out, and Robert Aldrich, also a producer, chose Olivia de Havilland as a replacement, giving her a role far from her usual "women in distress". Once again based on a novel by Henry Farrell, the film does not reach the originality and impact of its predecessor, but it remains one of the best products born in the wake of that success. Not only for the remarkable performance of Bette Davis but also for the intricate plot, centered on the psychological duel between the protagonists, full of twists and with a well-... Read More |
 | Halloween EndsMovie Review The film closes the David Gordon Green trilogy that began in 2018 and continued in 2021 with Halloween Kills, it is branded Blumhouse and this should be the last chapter (but will it really be like that we all wonder) of the saga that began in 1978 by John Carpenter. The era of Michael Myers ends, the most irrepressible killer in the history of horror cinema ever, mentor of every bloodthirsty masked homicidal maniac who came after him. There is certainly the intent to pay homage to the dark atmospheres of the progenitor film but also the desire to surprise, by inserting an absolutely new bad guy to act as a sidekick to good old... Read More |
 | GhostlandMovie Review 10 years after the traumatic and now cult work "Martyrs", French director Pascar Laugier returns with a rural horror film -home invasion- that takes place within the walls of an old house populated by dolls and lace. |
 | The WatchersMovie Review Feature film debut by Ishana Night Shyamalan, daughter of the more famous M. Night. Freely adapted from the fantasy-horror novel of the same name by A. M. Shine, the film boasts an evocative and disturbing atmosphere and is not lacking in twists. Well done Dakota Fanning. The pace, however, is fluctuating and some passages are a little confusing, perhaps due to the director's inexperience, but as a first effort, it's still not bad. |