 | What We Do in the Shadows 2014 Welcome to the world of vampires... but not the ones you think! "What We Do in the Shadows" is a 2014 mockumentary film directed by Taika Waititi and Jemaine Clement, that will make you laugh and fall in love with the most awkward and hilarious vampires in cinema history!
The story follows the lives of four vampires who share an apartment in Wellington, New Zealand. There's Viago (Taika Waititi), the oldest and most responsible vampire; Deacon (Jonathan Brugh), the rebellious and rock-loving vampire; Vladislav (Jemaine Clement), the darkest and most menacing vampire; and Petyr (Ben Fransham), the strangest and most unsettling... Read More |
 | Night Watch 1973 "Night Watch" is a film that skillfully plays with the sense of paranoia and suspense, immersing the viewer in a gothic and claustrophobic atmosphere. Elizabeth Taylor offers an intense performance, making the protagonist's growing state of anxiety and confusion believable. The director makes the most of the psychological tension, maintaining the ambiguity between hallucination and reality until the final twist.
The aesthetic of the film recalls classic gothic thrillers with dark houses, torrential rains and a constant sense of impending menace. Although it can be slow at times, the narrative crescendo and the shocking ending... Read More |
 | Burnt Offerings 1976 Based on the novel of the same name by Robert Marasco. A slowly building gothic nightmare, the film is distinguished by an oppressive atmosphere that develops with a slow but inexorable pace. The terror does not come in the form of sudden jump scares, but through a growing tension and a sense of inevitable doom. The house seems to absorb the vitality of its inhabitants, and the mystery that surrounds it becomes increasingly disturbing.
A stellar cast and memorable performances, Karen Black is perfect in the role of the mother, who goes from loving and caring to completely subjugated by the influence of the house. Oliver Reed, as... Read More |
 | My Heart Can't Beat Unless You Tell It To 2020 Unlike typical vampire films, My Heart Can't Beat Unless You Tell It To focuses more on family drama than conventional fear. The tone is melancholic, with a slow and suffocating narration that immerses the viewer in the anguish of the protagonists. The most disturbing aspect is not the violence itself, but the emotional toll that sacrifice and morality impose on the brothers.
Jonathan Cuartas builds a claustrophobic and desolate world, emphasizing the loneliness of the characters through dark photography and a clever use of silence. The setting - an anonymous and decadent suburb - amplifies the sense of isolation and desperation... Read More |
 | Ghost Stories 2018 Ghost Stories is a British psychological horror film adapted from their play of the same name. The film stands out for its disturbing atmosphere, layered narrative and a surprising ending that overturns the viewer's expectations.
Dyson and Nyman build a horror that relies more on psychological tension than gratuitous jump scares. The use of lighting, sound and distressing shots contribute to creating a sense of growing unease. Each story has its own visual identity and a different narrative style, reflecting the personal fears of the protagonists.
Andy Nyman offers an intense and engaging interpretation, making his character... Read More |
 | The Hunger 1983 Based on the novel of the same name by Whitley Strieber, the film is a sensual and decadent reinterpretation of the vampire myth, characterized by a refined aesthetic and a disturbing atmosphere.
The film is a hypnotic visual experience, with an aesthetic style that mixes gothic with 80s glamour. The use of soft lighting, luxurious settings and an evocative soundtrack (including Bela Lugosi’s Dead by Bauhaus) help to create a sense of alienation and mystery. Tony Scott, in his directorial debut, favours the visual and atmospheric side over traditional storytelling, transforming the film into a sensorial work that focuses on... Read More |
