 | 2019Netflix product halfway between comedy and splatter... Horror satire on the world of contemporary art, I would say a "unique piece" in the panorama of the subgenre, set between the walls of luxurious American galleries. The atmosphere goes from a gloomy purple to a sunny heat, it feels like being on a carousel that goes up and down between laughter and fear. Jake Gyllenhaal always excellent, he perfectly embodies the role of a cynical and mellifluous art critic like never before.
Certainly one of the best films on the Netflix platform and it's a real shame not to have... Read More |
 | 2021Sequel to "Candyman" from 1992, based on the story "The Forbidden" by Clive Barker which was in turn inspired by a popular belief.
Candyman is an iconic character especially for African-American audiences, a sort of Freddy Krueger but with a big hook instead of blades.
I loved the original film, but this one is not bad at all, a sharp and ruthless film, crossed by a constant and growing uneasiness, without an excessive use of splatter it is still visually hallucinatory.
Excellent direction by the unknown Nia Da Costa and the performances of the cast. |
 | 2022First part is good, it seems to return to the atmosphere and style of Italian thriller/horror cinema from fifty years ago and this is a good thing, we immediately recognize the unmistakable style of Dario Argento, good Asia Argento and Ilenia Pastorelli... but then the collapse begins! When the whole story is reduced to running away from the murderer, we enter the paradoxical and inexplicable, such as to provoke contrasting reactions from laughter to indignation. Dialogues so simple that they seem written by a child. Tragicomic ending, but still a particular film that in... Read More |
 | 2024A light film with a standard scheme packaged very well, captivating images, designed for a young audience and in this case more female, dealing with topics related to the supernatural such as astrology, and tarot reading, always much loved by girls. Hence also the choice of a very soft horror without gruesome scenes, built around four or five deaths and with a happy ending. Based on a novel "Horrorscope" by Nicholas Adams. |
 | 2023Freely adapted from the novel by Paul G. Tremblay, "The House at the End of the World", a psychological thriller that for an hour and forty minutes, plays excellently on ambiguity and sadism, sowing doubts and clues that, even before putting us in front of the apocalyptic fait accompli, prefer to push the characters and the viewer himself to ask who we should give our trust to. Shyamalan inspired the one who holds the anxious helm of Knocking at the Door, with a rhythm and a staging of great value, in which the violence is not explicitly shown but leaves room for the... Read More |
