 | The Addiction 1995 Directed by Abel Ferrara, The Addiction is a vampire film that transcends the confines of the horror genre to explore philosophical and metaphysical themes related to sin, addiction and the nature of evil. Shot in evocative black and white, the film is a visceral meditation on the loss of free will and the corruption of the soul.
Ferrara uses vampirism as a metaphor for addiction and self-destruction, recurring themes in his filmography. The film is deeply influenced by existentialist thought and nihilism, with frequent references to philosophers such as Nietzsche and Heidegger. Lili Taylor offers an intense performance,... Read More |
 | Burnt Offerings 1976 Based on the novel of the same name by Robert Marasco. A slowly building gothic nightmare, the film is distinguished by an oppressive atmosphere that develops with a slow but inexorable pace. The terror does not come in the form of sudden jump scares, but through a growing tension and a sense of inevitable doom. The house seems to absorb the vitality of its inhabitants, and the mystery that surrounds it becomes increasingly disturbing.
A stellar cast and memorable performances, Karen Black is perfect in the role of the mother, who goes from loving and caring to completely subjugated by the influence of the house. Oliver Reed, as... Read More |
 | Prince of Darkness 1987 John Carpenter is a master at transforming primal fears into unforgettable cinematic experiences, Prince of Darkness is one of his most disturbing and underrated films. With a mix of metaphysical horror, science fiction and paranoia, the director drags us into a nightmare that defies logic and faith, playing with the concept of absolute evil and the fragility of human perception.
Carpenter creates a claustrophobic and unhealthy atmosphere, in which the tension grows inexorably. The masterful use of shots and the soundtrack – composed by Carpenter himself – contribute to creating a sense of constant menace. The dark corridors of... Read More |
 | Lord of Misrule 2023 Bland horror that mixes paganism, thriller and folklore of British popular traditions. The story recalls the 1973 film "The Wicker Man" with Christopher Lee
but is much less exciting, due to a watered down script and a perhaps improvised direction even if it must be said that the real and the supernatural mix in an interesting crossover and the atmosphere is fascinating, especially the sequences in the woods during a lunar eclipse. Ultimately a disappointing film but one that is worth watching. |
 | Halloween Ends 2022 The film closes the David Gordon Green trilogy that began in 2018 and continued in 2021 with Halloween Kills, it is branded Blumhouse and this should be the last chapter (but will it really be like that we all wonder) of the saga that began in 1978 by John Carpenter. The era of Michael Myers ends, the most irrepressible killer in the history of horror cinema ever, mentor of every bloodthirsty masked homicidal maniac who came after him. There is certainly the intent to pay homage to the dark atmospheres of the progenitor film but also the desire to surprise, by inserting an absolutely new bad guy to act as a sidekick to good old... Read More |
 | Ghostland 2018 10 years after the traumatic and now cult work "Martyrs", French director Pascar Laugier returns with a rural horror film -home invasion- that takes place within the walls of an old house populated by dolls and lace.
Given the director, I expected to find myself in front of another film at the limits of endurance, instead the film is violent and dark but without useless, in my opinion, splatter sequences. The fear runs on a thin thread, touching very well the keys of morbidity, madness and dream.
The director has fun disorienting the viewer by making him believe that evil lives inside disturbing ceramic dolls, which instead turn... Read More |
