 | 1983Based on the novel of the same name by Whitley Strieber, the film is a sensual and decadent reinterpretation of the vampire myth, characterized by a refined aesthetic and a disturbing atmosphere.
The film is a hypnotic visual experience, with an aesthetic style that mixes gothic with 80s glamour. The use of soft lighting, luxurious settings and an evocative soundtrack (including Bela Lugosi’s Dead by Bauhaus) help to create a sense of alienation and mystery. Tony Scott, in his directorial debut, favours the visual and atmospheric side over traditional storytelling,... Read More |
 | 1971The Abominable Dr. Phibes, directed by Robert Fuest, is a jewel of British horror cinema that combines gothic, grotesque and black humor in a fascinating and macabre mix. Played by a charismatic Vincent Price, the film tells the story of the eccentric and brilliant Dr. Anton Phibes' revenge against the doctors he believes are responsible for his wife's death.
The plot develops as a series of murders inspired by the plagues of Egypt, an idea as ingenious as it is disturbing, which gives life to visually surprising sequences. The baroque aesthetic, with rich sets and... Read More |
 | 1975Dario Argento, with Deep Red, creates one of the cornerstones of the Italian giallo, a film that mixes thriller and horror with a visual and narrative mastery that is still unmatched today. It was March 7, 1975 when it arrived for the first time in Italian cinemas, the film consolidated the director's success and laid the foundations for his unmistakable style, made of saturated colors, bold shots and a tension that grows until the final explosion.
One of the most iconic aspects of the film is undoubtedly the soundtrack by Goblin, a mix of progressive rock and electronic... Read More |
 | 1987John Carpenter is a master at transforming primal fears into unforgettable cinematic experiences, Prince of Darkness is one of his most disturbing and underrated films. With a mix of metaphysical horror, science fiction and paranoia, the director drags us into a nightmare that defies logic and faith, playing with the concept of absolute evil and the fragility of human perception.
Carpenter creates a claustrophobic and unhealthy atmosphere, in which the tension grows inexorably. The masterful use of shots and the soundtrack – composed by Carpenter himself – contribute to... Read More |
 | 1980Inferno is the second chapter of the famous Three Mothers trilogy by Dario Argento, a work that fits into the esoteric horror genre with a strong visual and symbolic structure. Shot partly in the evocative setting of Rome, the film is configured as an intricate narrative and sensorial labyrinth, capable of surprising the viewer with sudden twists and disturbing atmospheres. However, despite the high technical and stylistic quality, the ending is perhaps the least convincing element of the entire film.
The main strength of Inferno lies precisely in Argento's directorial... Read More |
