 | 1995Directed by Abel Ferrara, The Addiction is a vampire film that transcends the confines of the horror genre to explore philosophical and metaphysical themes related to sin, addiction and the nature of evil. Shot in evocative black and white, the film is a visceral meditation on the loss of free will and the corruption of the soul.
Ferrara uses vampirism as a metaphor for addiction and self-destruction, recurring themes in his filmography. The film is deeply influenced by existentialist thought and nihilism, with frequent references to philosophers such as Nietzsche and... Read More |
 | 1976Based on the novel of the same name by Robert Marasco. A slowly building gothic nightmare, the film is distinguished by an oppressive atmosphere that develops with a slow but inexorable pace. The terror does not come in the form of sudden jump scares, but through a growing tension and a sense of inevitable doom. The house seems to absorb the vitality of its inhabitants, and the mystery that surrounds it becomes increasingly disturbing.
A stellar cast and memorable performances, Karen Black is perfect in the role of the mother, who goes from loving and caring to... Read More |
 | 2020Unlike typical vampire films, My Heart Can't Beat Unless You Tell It To focuses more on family drama than conventional fear. The tone is melancholic, with a slow and suffocating narration that immerses the viewer in the anguish of the protagonists. The most disturbing aspect is not the violence itself, but the emotional toll that sacrifice and morality impose on the brothers.
Jonathan Cuartas builds a claustrophobic and desolate world, emphasizing the loneliness of the characters through dark photography and a clever use of silence. The setting - an anonymous and... Read More |
 | 2018Ghost Stories is a British psychological horror film adapted from their play of the same name. The film stands out for its disturbing atmosphere, layered narrative and a surprising ending that overturns the viewer's expectations.
Dyson and Nyman build a horror that relies more on psychological tension than gratuitous jump scares. The use of lighting, sound and distressing shots contribute to creating a sense of growing unease. Each story has its own visual identity and a different narrative style, reflecting the personal fears of the protagonists.
Andy Nyman offers... Read More |
 | 1983Based on the novel of the same name by Whitley Strieber, the film is a sensual and decadent reinterpretation of the vampire myth, characterized by a refined aesthetic and a disturbing atmosphere.
The film is a hypnotic visual experience, with an aesthetic style that mixes gothic with 80s glamour. The use of soft lighting, luxurious settings and an evocative soundtrack (including Bela Lugosi’s Dead by Bauhaus) help to create a sense of alienation and mystery. Tony Scott, in his directorial debut, favours the visual and atmospheric side over traditional storytelling,... Read More |
