Watch horror Movies for free with Amazon Prime

6-Headed Shark Attack

6-Headed Shark Attack review
2018
4
Director: 
Mark Atkins

SYNOPSIS: 

What is supposed to be a marriage boot camp on a remote island turns into the ultimate test for survival when a 6-headed shark starts attacking the beach. Trapped with minimal weapons they try to fight off the shark, but quickly discover that no one is safe in the water or on land.

REVIEW: 

As any die-hard Jaws fan can tell you, it’s just not summer without at least one good (or better yet, not so good) shark movie to take in over a six pack and some popcorn. This year brought us 6-Headed Shark Attack, the latest of Asylum’s campy sequels to 2012’s low-budget 2-Headed Shark Attack. The film is directed by Mark Atkins (Sand Sharks, Planet of the Sharks) and stars Chris Fisher, Jonathan Pienaar, Brandon Auret, and Meghan Oberholder.

Whether horror fans have seen the films in the Shark Attack series or not, they’re likely pretty familiar with The Asylum. The indie film company is notorious among genre lovers for producing low-budget, ultra-cheesy, direct-to-video films that shamelessly attempt to capitalize on glossier productions from bigger studios and 6-Headed Shark Attack is hardly an exception. Like the previous Shark Attack films, as well as the better-known films in Asylum’s Sharknado franchise, this film is exactly the type of viewing it sounds like it would be. Whether or not that’s a good thing or a bad thing depends on how you feel about B-movies in general.

The premise of 6-Headed Shark Attack finds the next batch of victims hanging out on a remote island. They’re there to attend a marriage boot camp, so it’s probably not surprising that they’re not exactly prepared for a multi-headed shark attack. However, that’s exactly what they get when the titular monster begins launching its attack on the beach and surrounding waters, proving in the process that this time there’s nowhere to hide (even on dry land).

Fans of Asylum’s Shark Attack series are no doubt curious as to how concept designers planned to fit yet another head onto a new monster shark. (As it was, 5-Headed Shark Attack was forced to place the new head at the end of the shark’s tail.) They should prepare to be impressed by the starfish-shaped 6-headed shark for sure, especially when its unique shape allows it to attack on land as efficiently as it does in the water. This newest shark also has the miraculous ability to heal itself, which makes for some pretty far-fetched scenes to say the least. Some will make you groan heartily, others will make you laugh, but a few might actually impress you with their sheer creativity.

In other words, 6-Headed Shark Attack isn’t exactly fine cinema, but it hardly claims to be. Movies like this – especially when they’re sixth sequels --  are made solely to entertain. The fun of watching them lies in seeing how far over the top the antics can actually go and like the other Shark Attack films before it, this one doesn’t disappoint. It works because it delivers what it promises without trying to pull a switcheroo and that’s exactly what fans of Asylum productions are looking for. That being said, if you’re a fan of others in the same series (or campy creature films in general), this one is definitely worth your time. Give it a shot the next time you’re looking for some cheesy, crazy fun that doesn’t take itself too seriously.

OTHER MOVIES REVIEWS

Repulsion

1965

The film is a thriller full of tension, especially in the scenes where the protagonist experiences hallucinations. The horror atmosphere, with a touch of surrealism, is really intense. Although it may seem crude, this is intended by the director, who wants to show the harsh reality of the protagonist's life. The story tells of a woman in crisis, who no longer feels comfortable with the old values of society. This leads her to confront a harsh and chauvinistic reality, where she feels the weight of being a woman. The protagonist is alienated and desperate, aware that the... Read More

Don't Look Now

1973

A suggestive and deeply layered reinterpretation of a universal fairy tale like Little Red Riding Hood, which finds in its protagonists, Donald Sutherland and Julie Christie, two extraordinary interpreters. However, the director eludes any predefined scheme, escapes conventions and leads the viewer on a labyrinthine, almost subliminal path. What on the surface seems like a parapsychological horror, complete with a hunt for a serial killer, actually turns out to be a work of extraordinary complexity: an investigation into the reworking of grief within a couple, into the... Read More

Magic

1978

A disturbing psychological thriller that mixes horror and tension, with a sinister puppet and a young Anthony Hopkins in one of his most intense performances. To get into the role, the British actor immersed himself in the study of ventriloquism techniques, giving his character a tormented and vulnerable depth. His hypnotic gaze and his ability to convey complex emotions make the performance unforgettable. Behind the camera, Richard Attenborough orchestrates the story with almost surgical precision, enhancing every detail and giving the story an unusual realism for the... Read More

Hush... Hush, sweet Charlotte

1964

It was supposed to be the natural sequel to the cult film "What Ever Happened to Baby Jane?", but Joan Crawford backed out, and Robert Aldrich, also a producer, chose Olivia de Havilland as a replacement, giving her a role far from her usual "women in distress". Once again based on a novel by Henry Farrell, the film does not reach the originality and impact of its predecessor, but it remains one of the best products born in the wake of that success. Not only for the remarkable performance of Bette Davis but also for the intricate plot, centered on the psychological duel... Read More

Les Yeux sans visage

1960

Based on the novel of the same name by Jean Redon, this little gem that lasts just over an hour is a fundamental film for the development of modern horror, among all it has inspired John Carpenter's "halloween". The film is poetic but also damn cruel in its elegant black and white, the scene of the surgical operation anticipates today's extreme cinema by a long way, in fact the critics of the time called it vile and gruesome... But the film is above all a horror with strong psychological elements. At the center of the story are the sense of guilt, an unhealthy gratitude... Read More