 | The Hunger 1983 Based on the novel of the same name by Whitley Strieber, the film is a sensual and decadent reinterpretation of the vampire myth, characterized by a refined aesthetic and a disturbing atmosphere.
The film is a hypnotic visual experience, with an aesthetic style that mixes gothic with 80s glamour. The use of soft lighting, luxurious settings and an evocative soundtrack (including Bela Lugosi’s Dead by Bauhaus) help to create a sense of alienation and mystery. Tony Scott, in his directorial debut, favours the visual and atmospheric side over traditional storytelling, transforming the film into a sensorial work that focuses on... Read More |
 | Prince of Darkness 1987 John Carpenter is a master at transforming primal fears into unforgettable cinematic experiences, Prince of Darkness is one of his most disturbing and underrated films. With a mix of metaphysical horror, science fiction and paranoia, the director drags us into a nightmare that defies logic and faith, playing with the concept of absolute evil and the fragility of human perception.
Carpenter creates a claustrophobic and unhealthy atmosphere, in which the tension grows inexorably. The masterful use of shots and the soundtrack – composed by Carpenter himself – contribute to creating a sense of constant menace. The dark corridors of... Read More |
 | Les Yeux sans visage 1960 Based on the novel of the same name by Jean Redon, this little gem that lasts just over an hour is a fundamental film for the development of modern horror, among all it has inspired John Carpenter's "halloween". The film is poetic but also damn cruel in its elegant black and white, the scene of the surgical operation anticipates today's extreme cinema by a long way, in fact the critics of the time called it vile and gruesome... But the film is above all a horror with strong psychological elements. At the center of the story are the sense of guilt, an unhealthy gratitude and the disturbing sensation of no longer recognizing oneself... Read More |
 | Halloween Ends 2022 The film closes the David Gordon Green trilogy that began in 2018 and continued in 2021 with Halloween Kills, it is branded Blumhouse and this should be the last chapter (but will it really be like that we all wonder) of the saga that began in 1978 by John Carpenter. The era of Michael Myers ends, the most irrepressible killer in the history of horror cinema ever, mentor of every bloodthirsty masked homicidal maniac who came after him. There is certainly the intent to pay homage to the dark atmospheres of the progenitor film but also the desire to surprise, by inserting an absolutely new bad guy to act as a sidekick to good old... Read More |
 | The Exorcism - Last Act 2024 Russell Crowe is becoming a darling of horror cinema and after the success of "The Pope's Exorcist" he returns in a cassock, but this time it is a fiction, in fact in the film Crowe plays himself... an actor in both physical and mental decline. The film is worth little but thanks to the good Russell we have fun... Especially watching him go from a depressed mood bordering on suicide to a diabolical and ruthless one of possessed, always very fascinating and effective. Beautiful photography. |
 | The menù 2022 Culinary horror that serves us a ferocious satire on social inequality and the vulgar opulence of the rich, mocking the world of conceptual/molecular cuisine where you eat very little and spend a lot. What should have been an exclusive dinner turns into carnage under the crazy direction of a great, funny and at the same time glacial Ralph Fiennes. The tension is growing and the twists follow one another repeatedly. Surprising until the last scene. All the actors are excellent. A must see. |
