psychological thriller
![]() | CubeMovie Review I couldn't wait to talk about this extraordinary Canadian film, which I consider without hesitation one of the best horror films of all time, so much so that it is in my personal top 5 of the genre. The director, Vincenzo Natali, is often unfairly underrated, but with Cube he has demonstrated a visionary talent that deserves full recognition. This is his first feature film, the film that made him a household name, and despite an extremely low budget (around $350,000), it manages to give the impression of a much more ambitious and refined work than one might expect. Its strength lies in a simple but incredibly effective... Read More |
![]() | MagicMovie Review A disturbing psychological thriller that mixes horror and tension, with a sinister puppet and a young Anthony Hopkins in one of his most intense performances. To get into the role, the British actor immersed himself in the study of ventriloquism techniques, giving his character a tormented and vulnerable depth. His hypnotic gaze and his ability to convey complex emotions make the performance unforgettable. Behind the camera, Richard Attenborough orchestrates the story with almost surgical precision, enhancing every detail and giving the story an unusual realism for the genre. The relationship between the ventriloquist and... Read More |
![]() | What Ever Happened to Baby Jane?Movie Review Based on the novel by Henry Farrell released in 1960, the film is considered the progenitor of the psycho-biddy subgenre where the protagonists are mentally unstable elderly women, ready to terrorize the unfortunate ones on duty. Playing the disturbing sisters in this psychological thriller, a small jewel of genre cinema, are an unforgettable Bette Davis and Joan Crawford, great Hollywood stars now in their twilight years. Despite being free of bloody or macabre scenes, the film is a hallucinatory journey through sadism, madness and family resentments... Claustrophobic, having shot in black and white makes the face of the great... Read More |
![]() | OldMovie Review Adaptation of a French graphic novel "Sand Castle" that Shyamalan wanted to make at all costs but with little means available. It is a low-budget film, and this is evident from the, unfortunately, anonymous cast. Too bad with at least one star as the protagonist surely the final result would have been even more interesting, however excellent psychological thriller/horror, distressing and at times chilling even if there is little of true horror ... It is an allegorical film that makes you reflect on critical themes for everyone such as the nature of time that passes inexorably, pain and mortality. |
![]() | You Should Have LeftMovie Review Psychological thriller based on the novel of the same name by German Daniel Kehlmann, who in turn was inspired by the literary cult "House of Leaves" but wrote a much simpler and shorter, but still interesting, story. |
![]() | Goodnight MommyMovie Review A psychological thriller with horror nuances, a remake of a 2014 Austrian film described as disturbing and highly praised by critics. Hidden behind a mask, we find the always good Naomi Watts, here also a producer, in the role of a mother who whispers a horror lullaby in the ears of her children... to tell us that very, too often the monster lives within the walls of the home and in the people closest to us. Compared to the original film, there is much less ferocity and cruelty, but it is still a good film of tension and mystery. The dream sequences are particularly suggestive. |
![]() | Knock at the cabinMovie Review Freely adapted from the novel by Paul G. Tremblay, "The House at the End of the World", a psychological thriller that for an hour and forty minutes, plays excellently on ambiguity and sadism, sowing doubts and clues that, even before putting us in front of the apocalyptic fait accompli, prefer to push the characters and the viewer himself to ask who we should give our trust to. Shyamalan inspired the one who holds the anxious helm of Knocking at the Door, with a rhythm and a staging of great value, in which the violence is not explicitly shown but leaves room for the imagination and I appreciate this. |
![]() | The Dark Psychology of HorrorHorror News Why Real-Life Killers Love Horror Movies When we talk about horror movies, most of us think of thrilling chills, immersive stories, or even just an adrenaline rush. But horror movies hold a more disturbing appeal for some individuals, especially those with violent tendencies or complex psychological issues. This article dives into the dark psychology behind why real-life killers might find horror films particularly alluring. By analyzing infamous cases, horror movie culture, and psychological research, we’ll uncover how horror’s thrill can warp into something far darker. The Psychology Behind Horror’s Dark Allure Horror... Read More |