Watch horror Movies for free with Amazon Prime

Vanishing on 7th Street

Vanishing on 7th Street
2010
5
Director: 
Brad Anderson

SYNOPSIS: 

From director Brad Anderson comes Vanishing on 7th Street, a terrifying, apocalyptic thriller that taps into one of humankind’s most primal anxieties: fear of the dark. An unexplained blackout plunges the city of Detroit into total darkness, and by the time the sun rises, only a few people remain—surrounded by heaps of empty clothing, abandoned cars and lengthening shadows. A small handful of strangers that have survived the night each find their way to a rundown bar, whose gasoline-powered generator and stockpile of food and drink make it the last refuge in a deserted city. With daylight beginning to disappear completely and whispering shadows surrounding the survivors, they soon discover that the enemy is the darkness itself, and only the few remaining light sources can keep them safe. As time begins to run out for them, darkness closes in and they must face the ultimate terror. 

REVIEW: 

Even a solid cast (for the most part) and a few eerie moments cannot save this unoriginal thriller from its own generic silliness. Tack onto it an ending that is creepier than the movie as a whole, only because of what it implies. The characters are cliche and do foolish things.

There never really is an explanation which would have been good, at least in regard to why the days were suddenly shorter. There were some cool effects (the plane) but again, these weren't strong enough to save this flimsy film. 

The movie really miss some suspance. Scenes develop without any tension. And sometimes gets really boring. It could be because the script is no t the best part of the movie. 

All the different characters seems quite disconnected that's why the story can't flow a lot.  A good note about the Music, which is not bad, sometimes just out of topic. Photography it's often similar to a tv-movie Serie. The story recalls alot vampires tales: in both cases darkness kills people and creatures take power from darkness. 

Not the best movie of this good director.

Post by Frank Moran on 01/04/2015 - 23:25
Tags: 
darkness night daemons shadow Detroit

SIMILAR MOVIES REVIEWS

Deep red

1975

Dario Argento, with Deep Red, creates one of the cornerstones of the Italian giallo, a film that mixes thriller and horror with a visual and narrative mastery that is still unmatched today. It was March 7, 1975 when it arrived for the first time in Italian cinemas, the film consolidated the director's success and laid the foundations for his unmistakable style, made of saturated colors, bold shots and a tension that grows until the final explosion. One of the most iconic aspects of the film is undoubtedly the soundtrack by Goblin, a mix of progressive rock and electronic sounds that amplify the sense of anguish and mystery. The... Read More

Prince of Darkness

1987

John Carpenter is a master at transforming primal fears into unforgettable cinematic experiences, Prince of Darkness is one of his most disturbing and underrated films. With a mix of metaphysical horror, science fiction and paranoia, the director drags us into a nightmare that defies logic and faith, playing with the concept of absolute evil and the fragility of human perception. Carpenter creates a claustrophobic and unhealthy atmosphere, in which the tension grows inexorably. The masterful use of shots and the soundtrack – composed by Carpenter himself – contribute to creating a sense of constant menace. The dark corridors of... Read More

Late Night with the Devil Late Night with the Devil

2023

Late Night with the Devil by directors Cameron and Colin Cairnes uses a retro TV show setting to create an unnerving atmosphere that draws viewers into a slowly intensifying horror. The film’s attention to detail, from the 70s grainy footage style to shifting between black-and-white and color, sets the tone perfectly. The clever cinematography immerses audiences as if they’re watching a live broadcast unraveling in real time, a technique that intensifies the suspense, especially during the eerie "commercial breaks." David Dastmalchian’s portrayal of Jack Delroy is a highlight, conveying both desperation and a subtle descent... Read More

The Noonday Witch review The Noonday Witch

2016

When you think of the most chilling horror tales of all time, there are a lot of staples that come immediately to mind when it comes to possible settings – like dank asylums, haunted houses, isolated forests, or just about anywhere that feels a little creepier and more sinister under cover of darkness. You don’t probably think of sun-drenched corn fields or bright summer days in the countryside, but The Noonday Witch may just change your mind about that. The Noonday Witch is a 2016 Czech language film brought to the screen by promising Czech director, Jiri Sadek. (In fact, Sadek is discussed in many genre circles these days as a... Read More

The Babadook The Babadook

2014

The fear present in The Babadook is almost unfounded. It's hard to remember the last time a potent, eerie mood piece fit this much terror within its walls - both physically and psychologically. Not that films today don't have the power of scaring their audience, it's just that the effect is surface-layer for the most part, easy to shake off because of a certain distance to be attained. In other words, the fear is so within its own horror genre that once taken out the fact that it's a film meant to scare, it does nothing. The Babadook masterfully allows everyone else currently making horror films to take note,... Read More

OTHER MOVIES REVIEWS

The Addiction

1995

Directed by Abel Ferrara, The Addiction is a vampire film that transcends the confines of the horror genre to explore philosophical and metaphysical themes related to sin, addiction and the nature of evil. Shot in evocative black and white, the film is a visceral meditation on the loss of free will and the corruption of the soul. Ferrara uses vampirism as a metaphor for addiction and self-destruction, recurring themes in his filmography. The film is deeply influenced by existentialist thought and nihilism, with frequent references to philosophers such as Nietzsche and... Read More

Burnt Offerings

1976

Based on the novel of the same name by Robert Marasco. A slowly building gothic nightmare, the film is distinguished by an oppressive atmosphere that develops with a slow but inexorable pace. The terror does not come in the form of sudden jump scares, but through a growing tension and a sense of inevitable doom. The house seems to absorb the vitality of its inhabitants, and the mystery that surrounds it becomes increasingly disturbing. A stellar cast and memorable performances, Karen Black is perfect in the role of the mother, who goes from loving and caring to... Read More

My Heart Can't Beat Unless You Tell It To

2020

Unlike typical vampire films, My Heart Can't Beat Unless You Tell It To focuses more on family drama than conventional fear. The tone is melancholic, with a slow and suffocating narration that immerses the viewer in the anguish of the protagonists. The most disturbing aspect is not the violence itself, but the emotional toll that sacrifice and morality impose on the brothers. Jonathan Cuartas builds a claustrophobic and desolate world, emphasizing the loneliness of the characters through dark photography and a clever use of silence. The setting - an anonymous and... Read More

Ghost Stories

2018

Ghost Stories is a British psychological horror film adapted from their play of the same name. The film stands out for its disturbing atmosphere, layered narrative and a surprising ending that overturns the viewer's expectations. Dyson and Nyman build a horror that relies more on psychological tension than gratuitous jump scares. The use of lighting, sound and distressing shots contribute to creating a sense of growing unease. Each story has its own visual identity and a different narrative style, reflecting the personal fears of the protagonists. Andy Nyman offers... Read More

The Hunger

1983

Based on the novel of the same name by Whitley Strieber, the film is a sensual and decadent reinterpretation of the vampire myth, characterized by a refined aesthetic and a disturbing atmosphere. The film is a hypnotic visual experience, with an aesthetic style that mixes gothic with 80s glamour. The use of soft lighting, luxurious settings and an evocative soundtrack (including Bela Lugosi’s Dead by Bauhaus) help to create a sense of alienation and mystery. Tony Scott, in his directorial debut, favours the visual and atmospheric side over traditional storytelling,... Read More