Watch horror Movies for free with Amazon Prime

Cure

1997
8
Director: 
Kiyoshi Kurosawa

SYNOPSIS: 

The film follows the story of a Tokyo detective, Kenichi Takabe (Kōji Yakusho), who is tasked with investigating a series of seemingly motiveless murders. The only clues are the words "I was here" written at the crime scene. Takabe discovers that the killers are all ordinary people with no connection to each other, but who seem to have been influenced by a mysterious man named Mamiya (Masato Hagiwara).

REVIEW: 

"Cure" (Kyua) is a 1997 Japanese psychological thriller film written and directed by Kiyoshi Kurosawa. It is considered one of the masterpieces of modern Japanese cinema and has received numerous awards and accolades.

The story is intricate and full of mysteries, and director Kiyoshi Kurosawa manages to create an atmosphere of tension and suspense that is hard to find in other films, keeping you on the edge of your seat from the very beginning.

Kōji Yakusho's performance is exceptional, and his character of Detective Takabe is well-developed and complex. Masato Hagiwara is also excellent in the role of Mamiya, the mysterious man who seems to be behind the murders.

The film is also a critique of modern Japanese society, which is characterized by strong social pressure and a lack of individuality. The film's characters are all ordinary people who feel suffocated by society and are seeking a way out.

If you enjoy thriller films and are interested in Japanese culture, then "Cure" is the film for you.

OTHER MOVIES REVIEWS

Ghost Stories

2018

Ghost Stories is a British psychological horror film adapted from their play of the same name. The film stands out for its disturbing atmosphere, layered narrative and a surprising ending that overturns the viewer's expectations. Dyson and Nyman build a horror that relies more on psychological tension than gratuitous jump scares. The use of lighting, sound and distressing shots contribute to creating a sense of growing unease. Each story has its own visual identity and a different narrative style, reflecting the personal fears of the protagonists. Andy Nyman offers... Read More

The Hunger

1983

Based on the novel of the same name by Whitley Strieber, the film is a sensual and decadent reinterpretation of the vampire myth, characterized by a refined aesthetic and a disturbing atmosphere. The film is a hypnotic visual experience, with an aesthetic style that mixes gothic with 80s glamour. The use of soft lighting, luxurious settings and an evocative soundtrack (including Bela Lugosi’s Dead by Bauhaus) help to create a sense of alienation and mystery. Tony Scott, in his directorial debut, favours the visual and atmospheric side over traditional storytelling,... Read More

The Abominable Dr. Phibes

1971

The Abominable Dr. Phibes, directed by Robert Fuest, is a jewel of British horror cinema that combines gothic, grotesque and black humor in a fascinating and macabre mix. Played by a charismatic Vincent Price, the film tells the story of the eccentric and brilliant Dr. Anton Phibes' revenge against the doctors he believes are responsible for his wife's death. The plot develops as a series of murders inspired by the plagues of Egypt, an idea as ingenious as it is disturbing, which gives life to visually surprising sequences. The baroque aesthetic, with rich sets and... Read More

Deep red

1975

Dario Argento, with Deep Red, creates one of the cornerstones of the Italian giallo, a film that mixes thriller and horror with a visual and narrative mastery that is still unmatched today. It was March 7, 1975 when it arrived for the first time in Italian cinemas, the film consolidated the director's success and laid the foundations for his unmistakable style, made of saturated colors, bold shots and a tension that grows until the final explosion. One of the most iconic aspects of the film is undoubtedly the soundtrack by Goblin, a mix of progressive rock and electronic... Read More

Prince of Darkness

1987

John Carpenter is a master at transforming primal fears into unforgettable cinematic experiences, Prince of Darkness is one of his most disturbing and underrated films. With a mix of metaphysical horror, science fiction and paranoia, the director drags us into a nightmare that defies logic and faith, playing with the concept of absolute evil and the fragility of human perception. Carpenter creates a claustrophobic and unhealthy atmosphere, in which the tension grows inexorably. The masterful use of shots and the soundtrack – composed by Carpenter himself – contribute to... Read More